Khmer Cruise, From Angkor to Phnom Penh (Documentary, Discovery, Style)

Take a behind the scenes peek into the lives of liner crew members and discover the pleasures of a life spent at sea. Stop Over will take you on prodigious trips across the most marvelous oceans and rivers of the world. Travel with us as we explore not just the waters of the world, but also the mythical cruise ships, legendary liners, magnificent sailboats and fascinating traditional vessels that take us from place to place. Board the Queen Elizabeth 2, the Royal Clipper, Le France/Le Norway, the Sun Boat II, the "Classica", the Vat Phou, the Bolero, the Wind Song, the Grigoriy Mikheev icebreaker and the Silver Cloud among many others. Travel from Southampton to New York, Gao to Mopti, Aswan to Abu Simbel, Dubai to the port of Muscate, on the famous Incense Route of the Desert Cities in the Negev.


Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "Capital Temple") is a temple complex in Cambodia and one of the largest religious monuments in the world, on a site measuring 162.6 hectares (1,626,000 m2; 402 acres).[1] It was originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire, gradually transforming into a Buddhist temple towards the end of the 12th century.[2] It was built by the Khmer King Suryavarman II[3] in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia,[4] appearing on its national flag, and it is the country's prime attraction for visitors.[5] Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat more than 5 kilometres (3 mi) long[6] and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.

Etymology:
The modern name, Angkor Wat (Khmer: អង្គរវត្ត) (alternate name: Nokor Wat, Khmer: នគរវត្ត),[7] means "Temple City" or "City of Temples" in Khmer; Angkor (Khmer: អង្គរ) meaning "city" or "capital city", is a vernacular form of the word nokor (Khmer: នគរ), which comes from the Sanskrit word nagara (Devanāgarī: नगर).[8] Wat (Khmer: វត្ត) is the Khmer word for "temple grounds", also derived from Sanskrit vāṭa (Devanāgarī: वाट), meaning "enclosure".[9] The original name of the temple was Vrah Viṣṇuloka or Parama Viṣṇuloka (Sanskrit), (Khmer: បរមវិស្ណុលោក – Barom Visnulōk) which means the sacred dwelling of Vishnu.

Style:
Angkor Wat is the prime example of the classical style of Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.[42] The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style."[43]  Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work.[44] Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.[45]

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